Works of art

Number of results: 283

Contractes

Contractes

Achille Perilli

Irregular parallelepipeds and cubes crowd the airless space of the composition. The icy, pure colours that saturate them, untouched by shadow, struggle to chime with that deep-set dislocation of the image which the perspectival bodies appear to suggest.
La civetteria dell’astrazione

La civetteria dell’astrazione

Achille Perilli

A large, dark form, composed of the interlocking of numerous irregular polygons, extends across the canvas surface; untouched by shadows and therefore lacking any depth of its own, it appears to tumble forward, apprehensively, from above to below.
Agosto in Friuli

Agosto in Friuli

Afro Libio Basaldella

Heaped at the centre of the painting are forms by now unmindful of the sensible world, which appear to have arranged to meet there and weave a mysterious dialogue. They are bathed in mottled light scored mainly by yellows and oranges, but with pink, brown, white and blue notes echoing throughout. Chromatic blocks that are shot through and joined to one other by a faint interrogative, recurring sign.
Figura

Figura

Afro Libio Basaldella

Scattered over the entire surface of the painting, the soft, mellow colours – which appear to emanate from the touch of palest pink at the centre of the composition – writhe in the open and potentially infinite space of the pictorial field; they are free from all ties; no probe of perspective anchors them to any point.
Fuori tiro

Fuori tiro

Afro Libio Basaldella

In a vertical format – an unusual choice for the painter at the time, who was inclined instead to align his forms as though they were assembled along an imaginary horizontal thread – several imperfectly geometrical figures (circles, triangles, trapezoids, ovoids) rise up like a totem of ancient civilizations.
Natura morta con caffettiera

Natura morta con caffettiera

Afro Libio Basaldella

In this work – which, in its composition of everyday objects, reveals its descent from the modern tradition inaugurated by Cézanne – Afro directs his range of luminous colours towards new effects reminiscent of the great traditions of Venetian painting.
Bianco nero

Bianco nero

Alberto Burri

The spatial arrangement of this small painting is rather complex. It comprises a left-hand zone dominated by the various shades of white, and a right-hand zone, occupied by a thickly applied coat of matte black.
Fondo rosso

Fondo rosso

Alberto Burri

On a red base, luminous yellow lines going in all directions intersect and collide in a state of agitation in which there is full expression of a kind of art that shuns a balanced or peaceful composition of its forms.
Venezia surreale

Venezia surreale

Alberto Martini

The artist spent several years in Venice, a city he adored, so much so that in 1924 he designed the Tetiteatro especially for it. This was intended to be a floating theatre, whose aquatic whimsy reflected his love for the lagoon.
Le Matelot

Le Matelot

Alberto Savinio

In a personal show of 1927, Savinio exhibited a painting entitled Le Matelot (the sailor), which is presumably this work. Though it is generally assigned to 1928, Pia Vivarelli concluded that it should be backdated by one year given the likelihood of it being the same work as the one in the exhibition catalogue.

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